"Who IS Jimmy Chickenpants? No one really knows, but the band hails from the Santa Cruz area. They traditionally
put the 'hick' in 'chicken' with music that combines bluegrass, newer-grass, jazz-grass, and original-grass, otherwise known as "Poultry In Motion". Jimmy's influences apparently include Bill Monroe, Gillian Welch, Bela Fleck, Duke Ellington, and most significantly, Rocky the Petaluma Free Range Chicken.
With decades of combined bluegrass, folk and acoustic skills, this seasoned outfit is a sure-fire delight. Joni Davies’ soulful and fiery-mountain melodies, reminiscent of her Yellville, Arkansas upbringing are supported by the instrumentation of the band including the meritorious and mystifying mandolin of Hide Kawatsure (Osaka, Japan), the brilliantly boiling banjo of Roanoke, Virginia’s own Ken Clarkson, Montejas country boy Wayne “Chojo” Jacques’ feverish fiddling finesse, all tied up with Oklahoma’s need-to-know bassist, Jim “Cuz” Davies and hardened harmonies from all the boys. Around the barn they call it Free-Range Pickin’!
Jimmy has been touted as one of Santa Cruz's best-kept secrets by KPIG radio. Jimmy Chickenpants is not on any "No Fly" lists, as far as we know, so please check The Gigs, and come enjoy some “Free Range Pickin’”!
- Joni was born in a spunky little town called Yellville in the backwoods of northern arkansas . She grew up singing with her two big sisters and learned to play the guitar on her father’s red, white & blue Buck Owens Special. She finished her schooling and migrated up to Alaska where she worked on the Exxon Valdez Oil Spill for 4 years. During this time she continued playing and singing, mostly around campfires. After listening to Jerry Garcia of the Grateful Dead, she turned her interests to bluegrass and old-timey music. Her influences range from the Carter Family, Lucinda Williams, Gillian Welch, Emmylou Harris and of course Bill Monroe. A talented songwriter, Joni resides in Santa Cruz California.
- Hide was born and raised in Japan. He moved from Osaka, Japan to Seattle in 1994. In Seattle, he joined an early 20th century continental music oriented band called the Red Hot Sallies. They recorded an album entitled "Holier than Mao" in 1995. Later, he joined the bluegrass band Crossfire, a third place winner at the International Bluegrass Music Association band competition. Crossfire released the CD "On the Run" in 1998, which included one of Hide's original instrumental songs. In the summer of 1997 Hide also played with another IBMA award winning band, Out of the Blue in Oregon. During his time in the Seattle area, he also regularly performed with blues player Reggie Miles and songwriter Joel Phillips. In 1999 he moved to Boston where he joined the western swing/bluegrass band the Bagboys as a guitar player. He also played with the traditional New England Bluegrass Band based in New Hampshire. Additionally, he started his own project the Bluegrass Power Quintet with a group of Boston's young talented musicians including Grammy nominated cello player Rushed Eggleston and the former Northern Lights fiddler and Compass recording artist Jake Armerding. Hide also regularly performed with a songwriter Chris Elliot in Boston. Chris's song "Making Up For Lost Love", featuring Hide on mandolin, was one of the top ten songs requested at a German radio station. In 2003 Hide won the first place at the Connecticut state mandolin competition. In the summer of 2004 Hide participated in Mandolin Symposium and took master classes taught by David Grisman, Mike Marshall and Chris Thile. He currently lives in Santa Cruz, CA and performs as a freelance mandolin player in the Bay Area.
- Ken was reared in Roanoke, VA, near Sugarloaf Mountain, two notable landscapes that provided titles to Bill Monroe songs. Need we say more? We can if you want to know about living in the Nunamuit Eskimo Village of Anaktuvuk Pass, Alaska, which means "place of caribou dung", or even Napoopoo, Hawaii (which isn't by the way pronounced like you may think). At both remote locations Ken could easily claim to be the lone banjo player. While all the other students at the local music store were given soundproof rooms for their lessons, Leroy (Ken's first instructor) and 10-year-old Ken were relegated the broom closet for lessons. No joke. Early influences were Earl of course, Country Gentlemen, Alan Munde, later, Bela, Tony Furtado, Allison Brown, and Rocky the Free Range Chicken. At age 12, he began competing at the Galax Old Time Fiddlers Convention. After moving to Fairbanks, Alaska in the early 90's, he joined the Bluegrass Band Alpha Babe and the Beta Boys, and performed annually at the Juneau Folk Festival. While in Fairbanks he recorded on singer/songwriter Will Putman's cd "Middle of Nowhere". Upon moving to the island of Hawaii in the 1993', Ken helped found the bluegrass band The Voggy Mountain Ramblers. In 1996 he joined Las Vegas based bluegrass band Junior Hot Cell at the Rockygrass Academy and helped them to win the band competition. Since then he has recorded on this bands cd "Zaman" that stretched his banjo repertoire from bluegrass, to Celtic, to world music (including recording didgeridoo for their cd's). He has toured twice with this group as the host band for whitewater rafting excursions down the Grand Canyon (even hiking his banjo 12 miles into the canyon under a full moon to rendezvous with rafts, but that's another story). Ken has performed with Jimmy Chickenpants since they first pipped the egg in 2002, and more recently has performed with the Houston Jones Band and the Chojo Jacques Quintet. He also recorded with the Houston Jones Band on their recent cd "3 Crow Town". He lives in Santa Cruz with his wife and young son.
- moved from his native California to northern Illinois during grade school. After a few lessons on his $12 Stella six string and numerous garage jams, Jim cleverly chose banjoist Peter Swenson for his good friend and musical mentor. Inspired by the likes of Homer and Jethro, Lester naturally, and even Roy Clark, the boys played and performed bluegrass music for their classmates and the community. After a decade-plus hiatus and several cultural shifts, Jim suddenly found himself in Oklahoma. Remembering how much he cherished the one time that his teenaged bluegrass band actually had a stand up bassist (Bill Denker) join them for a performance, Jim now felt prompted to borrow an old orchestra bass from the neighborhood university basement and started putting it to use. Winfield, Kansas was close by and provided Jim with a yearly yet abundant supply of high caliber influences including Tony Rice, Doc Watson, John Cowan, Tim O'Brien, and a surplus of encouraging and lively campground musicians. In Tahlequah, OK he fell in with a few fellows and formed a bluegrass band called Bear Creek along with famed song writer and guitarist Dan Garber, Kentucky-reared mandolinist Tim Gilliam, and dubious brothers Mark LeMond (banjo) and Dana Hazzard (fiddle), both of whom were schooled in bluegrass music by the legendary Jimmy Gyles. The turn of the millennium brought Jim out of the southwest into Santa Cruz. Standing around a sinister campfire at the beach one evening, the shadows produced several pickers including the likes of Mike Loso, Paul Lee, and one Ken Clarkson. Expressing urgency for a bassist, they asked Jim to join them, and the strikingly handsome guitarist Greg Stock, for an upcoming gig rehearsal. After laughingly assuring Jim that the name "Jimmy Chickenpants" had nothing to do with him personally, the band bloomed. Loso, Lee, and Stock, each following their vocations and passions, eventually moved on and the band morphed into its current form. Jim has also enjoyed performing or standing in with other local acoustic and bluegrass bands including Harmony Grits, Wite Surfer Trash, This Hear, Dead Giveaway, The Venus Mountain Boys, The Marty Varner Band, The Sibling Brothers, The Intangibillies, Mr. Banjo, and Strungover.
has a musical diversity to match his personal background (part Hawaiian, born in Germany, firmly rooted in Texas, lived in Montana, now resident in the Santa Cruz Mountains). Originally an aspiring guitarist, he realized he was better suited to the fiddle, and like many fiddlers, eventually added mandolin. After becoming interested in electric mandolin, but looking for a deeper guitar sound, he began using a Stratocaster type octave mandolin/mini guitar.
His smoky, swing/blues influenced playing works well with his interpretation of genres such as bluegrass, americana, celtic, roots rock, and others. He can, and will, play in any style that comes to mind, but with a distinct signature sound. Since he almost never plays a piece quite the same way twice, an immediacy and freshness are always evident in his playing, and audiences can count on a spontaneous energy at his shows.
His enjoyment of the musical unknown has led him into collaborations with countless songwriters and bands, most recently as one of the founders of the Waybacks. For the past four years he has toured and played at most of the North American and Australian festivals, including Merlefest, Kerrville Folk Festival, Edmonton Folk Festival, Winnipeg Folk Festival, Grey Fox Bluegrass Festival, Strawberry Music Festival, Kate Wolf Folk Festival (and many more), as well as major venues, clubs, and theaters in the US, Canada, and Australia.
Coming Soon